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Music Hall and Modernity: The Late-Victorian Discovery of Popular Culture
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Some of the girls — though their figures showed them to be mere children — were dressed in showy cotton-velvet polkas, and wore dowdy feathers in their crushed bonnets. They stood laughing and joking with the lads, in an unconcerned, impudent manner, that was almost appalling.
Music Hall and Modernity- Late Victorian Discovery of Popular Culture
Some of them, when tired of waiting, chose their partners, and commenced dancing grotesquely, to the admiration He has published numerous articles on British literature and cultural studies. Permission to reprint Permission to photocopy or include in a course pack via Copyright Clearance Center.
Dancing out of Line transports readers back to the s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form. Tracing the Victorian crisis over the representation of working-class women to the Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.
Music Hall and Modernity by Dr Barry J. Faulk | Waterstones
The English middle class in the late nineteenth century enjoyed an increase in the availability and variety of material goods. With that, the visual markers of class membership and manly behavior underwent a radical change. Music was at once one of the most idealized and one of the most contested art forms of the Victorian period.